[重要]发现菅野洋子小姐有关[下妻物语]的访谈！！^^（擦干净口水进来吧:Q）|『动漫游戏音乐交流区』 - 『漫游』酷论坛

[重要]发现菅野洋子小姐有关[下妻物语]的访谈！！^^（擦干净口水进来吧:Q）

maliyingcherry@2005-06-30 20:11

洋子操刀的[下妻物语]英文版即将在美国上映，英文名字叫：Kamikaze Girl!

以下是某YKDB粉丝在Kamikaze Girl的英文官方网站上发现的洋子小姐访谈！洋子粉丝们，擦干口水看吧~~~~

Interview with Composer Yoko Kanno
By Toshihiko Nagano

“Each film has its own music. It's just bringing it out from there.”
—Yoko Kanno

Q: What about this film made you decide to participate as a composer?

Basically, I make it my own policy to compose for the big project like feature films only once a year. I know some composers working on several TV series a year, but if I do that, it's too painful to leave a lot of things that I wanted to do just half done. It is not healthy for me to compromise due to shortness of the time or budget. So I once turned down the offer of this film because of my schedule conflict. However, I finally took a look at the footage after the persistent offer, and I just thought, "Who else but me can compose for this movie?" Although it was against my policy, I gave it a try to compose just one track, then it became 3 tracks, 5 tracks, then 10 tracks and more after all…I couldn't help it. (laugh) When I first saw this film, what occurred to me was that there are not so many composers who can squeeze all the essence of this film into something that's stupid, pretty, nonsense and the director's sarcasm into 2 hours. I realized why they asked me, and I accepted it.

Q: Did the director give you any request regarding the specific image of sound tracks?

Well…not really. (laugh) He doesn't really go into such details like “Compose piano music” or whatever. The only thing that he asked me was to make it sound like a sort of “Yakuza Movie” in terms of the effect of the music. From the start, he wanted to make this soundtrack something similar to that of favorite collected tunes from all the records on the floor.

Q: So what image was in your mind while you were composing?

Well…it was just like for 3 days while I was actually composing, so…

Q: Only for 3 days?!

Yeah, (laugh) it always goes fast after I become ready. But until then, it takes me a month to struggle and reach the break point. Whatever I work on, it's not like that I get inspired immediately as soon as I see the footage. I spend about a month thinking and thinking about how to match it up or make it look cool and all that. At the end, I try to forget everything to go back in the beginning.

As for this film, I was wondering for a while what part of this film I should be connected emotionally to. One day I decided to stop thinking and try making something to match up with the image of the film. After that, everything went so smooth. It is very tough for me as a professional soundtrack composer to forget everything, like the pride to make the best, or the goal to bring out the touching moment toward the ending by the variations of theme. It‘s a composer's ego to take time for choosing the best scene to put the most awesome track into. But I know these egoistic efforts will end up with nothing much. So I came back and listen to the film itself at the end. Each film has its own music. It's just bringing it out from there. It goes so smooth once I reach to this point.

Q: I felt that the theme track for Momoko was touchingly varied along with the story. Is it all in the mind?

Yes it is, (Laugh) but that was the only track that I composed as a 'soundtrack', I mean as the theme track specifically made for the character of Momoko. You are right. Other than that, each track followed the call of each scene, like typical “Fake-French” music, typical “Enka”(Traditional Japanese Ballad) or typical “Rock&Roll.”

Q: How did you feel when you saw the final cut of the film?

It was more interesting than I expected.

Q: “than you expected”…?

Usually, whenever I see the final cut, I cannot catch up with the movie emotionally or I end up feeling regret like “I should have done that more…” . Now this time I could enjoy the movie a lot. So this is the biggest compliment. (Laugh)

(Interviewer/ Toshihiko Nagano, Writer)

原网页地址在这：
http://www.kamikazegirls.net/interviews.html

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StandAlone@2005-06-30 22:15

^_^，感谢CHERRY了，拷下来慢慢看
那张头像也很美啊～～～～

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water glass@2005-06-30 23:06

大赞^^

yoko大神哦...慢慢拜读ing...

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fayevalentine@2005-07-01 09:28

嗷阿嗷阿，擦干的口水还是会流的~~^_^
.说来多久都没看到洋子jj的新访谈了阿！~~~激动ing...说起来，下妻的那张ost是今年洋子的作品中我最为满意的了~~~嗯，电影也很搞笑....不过，洋子怎么会去为商业电影的写音乐的呢？难不成...这表明她向这个领域迈出的第一步？

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★ｕtmosｔ★@2005-07-01 13:15

maliyingcherry 不愧用 YK 的头像啊　＾－＾

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^_^

祖宗@2005-07-01 20:43

谢谢了，这片子挺适合 Yoko 的。不过当时看这部片子俺的忍耐力到达了极限还是没看完，呵呵。

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宇文宙@2005-07-01 22:40

老狐狸又说谎，她明明一年至少做两个大project都游刃有余的。^^

不过有一句没说错，这么神经兮兮的电影，真的只有她才能把音乐做得那么完美，哈哈~~~

kamikaze girls=神风少女组？好像只形容了一半的内容嘛，不如叫kamikze lolis好了，呵呵~~~这部电影我全看完了，满好玩的。YK确实开始往大电影方向发展，或者说电影圈里开始有更多人了解她了（已经她毕竟基本局限于ACG）。看介绍阿修罗之瞳也是名演员汇集的大制作，好像还参加了今年的戛那。

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maliyingcherry@2005-07-02 22:57

哈哈，从字面上讲，好像是神风少女。。。= =b
不过这让我想起了神风特攻队。。。那就太。。。汗~~~
真希望她在电影界也起码能有久石让的知名度阿T.T~~~

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bear@2005-07-03 19:16

第6回 ─ 作曲家菅野よう子という不思議な世界 part3
请翻译！！！
http://www.bounce.com/article/article.php/2007

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fayevalentine@2005-07-03 20:22