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请问Film不够95%的片子怎么处理

楼层直达
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请问Film不够95%的片子怎么处理
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只看该作者 1楼 发表于: 2008-11-22
ivtc
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只看该作者 2楼 发表于: 2008-11-22
去下个yatta吧

überm Sternenzelt richtet Gott, wie wir gerichtet.

Girls
Usually
Need
Diamond
And
Money
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只看该作者 3楼 发表于: 2008-11-22
yatta要学会要很多力气啊,自从我知道ivtc和30i的关系后,发觉yatta其实对我没用

嗯。。。
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只看该作者 4楼 发表于: 2008-11-22
靠眼睛河蟹+脑补~


生活很无趣~
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只看该作者 5楼 发表于: 2008-11-22
那要是大于95%的片子呢

另问ivtc怎么做
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只看该作者 6楼 发表于: 2008-11-22
大于95%直接做d2v的时候就forced film处理。

怎么ivtc自己去搜教程看吧,这玩意岂非三言两语能说完的。

简单一点的就用tivtc。想追求完美效果要注意的东西可就太多了。没个N年的经验,很难搞定的。
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只看该作者 7楼 发表于: 2008-11-23
有没有tivtc的使用教程,google上的都是零散的使用参数,没有一整套详细的参数解释。
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只看该作者 8楼 发表于: 2008-11-23
NTSC cases:


1.) NTSC Film, normal source (not anime or cartoon). One pass.

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v")
tdecimate()


2.) NTSC Film, anime or cartoon source. One pass.

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v")
tdecimate(mode=1)


3.) NTSC Hybrid, using blend decimation on video sections (not anime or cartoon). One pass.

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v")
tdecimate(hybrid=1)


4.) NTSC Hybrid, using blend decimation on video sectons, anime or cartoon source. One pass.

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v")
tdecimate(mode=1,hybrid=1)


5.) NTSC Hybrid, using vfr via mkv (not anime or cartoon). One pass.

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v")
tdecimate(mode=3,hybrid=2,vfrDec=0,mkvOut="mkv-timecodesfile.txt")


6.) NTSC Hybrid, using vfr via mkv, anime or cartoon source. One pass.

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v")
tdecimate(mode=3,hybrid=2,vfrDec=1,mkvOut="mkv-timecodesfile.txt")


7.) NTSC, two pass (enables use of conCycleTP parameter) mkv vfr for hybrid source.

First pass:

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v",output="matches.txt")
tdecimate(mode=4,output="metrics.txt")

Second pass (not anime or cartoon):

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v",input="matches.txt")
tdecimate(mode=5,hybrid=2,vfrDec=0,input="metrics.txt",tfmIn="matches.txt",mkvOut="mkv-timecodesfile.txt")

Second pass (anime or cartoon):

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v",input="matches.txt")
tdecimate(mode=5,hybrid=2,vfrDec=1,input="metrics.txt",tfmIn="matches.txt",mkvOut="mkv-timecodesfile.txt")



PAL Cases:


1.) PAL, no decimation (just field matching)

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v")


2.) PAL, decimate 1 in 25 (most similar)

mpeg2source("c:\oursource.d2v")
tfm(d2v="c:\oursource.d2v")
tdecimate(cycle=25)

自带说明里就有。
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只看该作者 9楼 发表于: 2008-11-23
tdecimate(mode=1,hybrid=1)

mode参数有几个值,各是什么意思呢?
hybrid参数有几个值,各是什么意思呢?
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只看该作者 10楼 发表于: 2008-11-23
mode -

Sets the mode of operation. Possible settings:


Mode 0 = Straight M-in-N decimation. TDecimate will examine each set of N
frames and decimate the M most similar frames. The values of M and
N are controlled via the cycleR and cycle parameters. Blend decimation
of video (30p) is supported in the this mode (hybrid = 1), as well as
blending of 24p into 30p (hybrid = 3).


Mode 1 = Exactly like mode 0, except instead of decimating the M most similar
frames, frames are decimated from the longest remaining strings of
duplicates. The duplicate detection uses the dupThresh parameter. This
mode is the correct type of decimation for anime and other sources where
frames are repeated 2, 3 or 4 times in a row, and also supports blend
decimation of video (30p) with hybrid = 1, as well as blending of 24p
into 30p (hybrid = 3).


Mode 2 = This mode uses a separate decimation algorithm that can achieve any
arbitrary framerate. It is useful when you cannot achieve the desired
framerate with M-in-N decimation. The output framerate for this mode is
set using the "rate" parameter. The maxndl parameter can be used to
tweak behavior on sources with uneven duplicate distribution. No hybrid
handling can be used in this mode!

This mode's output will be slightly different if you run it with a metrics
input file (created on a previous pass in mode 4 for example) that lets
it analyze the entire video at the very beginning than if you run it
straight and let it analyze the video as it goes. Generally the differences
will be small, but the 2 pass method (i.e. full analysis from an input file)
will generally produce a smoother result. The m2PA parameter can be used
to force the one pass version of mode 2 to produce the same results as the
two pass version by reading ahead in the stream as much as is required
(the one pass version limits the read ahead to 100 frames max).


Mode 3 = This is a one-pass vfr for mkv with timecodes output mode. Hybrid must be
set to 2 in this mode! It uses M-in-N decimation and cycleR must be set
to 1! The type of decimation that is used on film sections (most similar or
longest string) is controlled via the vfrDec setting. For this mode to work
all access must be linear from start to finish... an error will be thrown
if non-linear access is detected.

Since vfw needs to know the # of frames before processing starts this
mode does not change the # of frames and simply pads the output as needed
with black frames. The last actual frame will be recorded as a comment at
the end of the mkv timecodes file, and will be reported on the padded frames
as well once at least 300+ extra frames are returned. If the se option is
set to true, then TDecimate will throw an error once the 306th extra frame
is reached, stopping processing and alerting the user. If your gonna be
around when its done and not doing batch encoding this option can save you
some time.

The name and path of the mkv timecodes file to output is set using the
mkvOut parameter.


Mode 4 = Metrics output. No decimation is done, but metrics are calculated allowing
for the output, display, or debug options to be enabled and outputting of
the metrics for later use. (first pass for two pass mkv vfr using mode 5)


Mode 5 = This is similar to mode 3 (mkv vfr, and requires hybrid=2 and cycleR=1), but
as part of a two pass process. It requires a complete input file (obtained
via the output parameter on a previous pass), and a complete tfmIn file (see
the batch option for a way around these requirements). The advantages of this
mode over Mode 3 are that it does not require linear access (seeking is
supported), it uses the conCycleTP parameter instead of the conCycle parameter
which allows for values greater than 2, and it will have a correct frame count
with no padded frames.

As of version 0.9.11.8 of TDecimate, an input and tfmIn file are no longer
required for mode 5. If an input file is not specified then a value of
ULLONG_MAX-1 (the maximum value tdecimate has) is assigned to all metrics.
Likewise, if a tfmIn file is not specified then all matches are assigned as 'c',
not combed, and not a d2v duplicate.


Mode 6 = This is for doing 120fps->vfr w/ timecode file. It requires a complete metrics
input file generated via mode 4 on a previous pass. It will decimate bit for bit
identical frames only. All decimation will be into one of the following frame
rates: 119.880, 59.940, 39.960, 29.970, 23.976.

Mode 7 = This mode is similar to mode 2 in that it uses a decimation algorithm that can
achieve any arbitrary framerate. However, it operates quite differently
from mode 2. It is useful for when you cannot achieve the desired framerate
with M-in-N decimation and cannot afford to go with two-passes in mode 2 (in which
case mode 7 will usually give better results if the duplicate distribution is
at least somewhat consistent).

The output framerate for this mode is set using the "rate" parameter. It
also uses the "dupthresh" and "vidthresh" parameters... dupthresh sets a
threshold such that any frames with difference values under dupthresh are
considered duplicates, and vidthresh sets a threshold such that any frames
with difference values above vidthresh are considered non-duplicates. Frames
with difference values inbetween dupthresh and vidthresh are classified as
similar unless they represent a descernable local minimum or maximum in the
difference values string. By default dupthresh is set to 0.5 and vidthresh
is set to 4.0 (they use the usual 0 to 100 normalized scale).


Default: 0 (int)

hybrid -

Controls how or if video sections (30p) should be dealt with. Possible
settings:

0 - no handling
1 - blend decimation of 30p sections into 24p and leave 24p untouched (modes 0 and 1)
2 - vfr via mkv w/ timecodes file output(modes 3 and 5)
3 - blend conversion of 24p sections into 30p and leave 30p untouched (modes 0 and 1)

* The hybrid option is not used when mode = 2 or mode = 4, and hybrid > 0
is only currently supported for cycleR = 1!

Default: 0 (int)

tivtc自己的包里有详细的说明书


生活很无趣~
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只看该作者 11楼 发表于: 2008-11-23
mode -


设置匹配的模式或者策略加以应用。

选项0是简单的双向匹配,是所有选项中最安全的选择,因为其不会造成由于可能由重复帧造成的任何jerkiness。但是,如果是bad edits或者混合场,它将在有好匹配时结束输出交错的帧。
选项5是三向匹配,如果在前三次匹配中发现交错将尝试第四、第五次匹配。是最有风险的,因为最容易出现jerkiness。但如果有好的帧也是其最容易发现的。
其他设置(选项1,2,3,4和6)都是介于选项0和5以及造成jerkiness和重复帧之间。还有在bad edits中找到好匹配, 孤立场、混合场、其他…
Mode 7 不是普通的模式之一,它是用来给有混合场下的材料使用的特定模式。
Mode 7 要求能进行正确的线性编辑。 因为使用何种的匹配/场,取决于之前匹配的结果。

可用参数如下:

0 = 两次匹配(p/c)。
1 = 两次匹配(p/c),如发现交错则进行第三次匹配(n)。
2 = 两次匹配(p/c),如发现交错则进行第三次匹配(u)。
3 = 两次匹配(p/c),如发现交错则进行第三次匹配{ n },如再交错则进行第四、第五次匹配 (u/b)。
4 = 三次匹配(p/c/n)。
5 = 三次匹配(p/c/n),如发现交错则进行第四(u)、第五次匹配(b)。
6 = 两次匹配(p/c),如发现交错则进行第三次匹配(u),如再交错则进行第四次匹配(n),还有交错则进行第五次匹配(b)。
7 = 两次匹配(p/c),且参照前面的帧,需要线性编辑。

最后的()提示某个可能被使用的匹配,假设order = 1 field = 1
* 选项0速度最快,而选项5速度则最慢。

默认参数: 1 (int)



姑且看看吧
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只看该作者 12楼 发表于: 2008-11-23
楼上用什么翻的?
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只看该作者 13楼 发表于: 2008-11-23
引用
最初由 roozhou 发布
楼上用什么翻的?


他找妹子翻的..
话说TFM的没完全翻译完....

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只看该作者 14楼 发表于: 2008-11-24
TFM基本搞完了,继续挑战其他。
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